Rio 2 – Fox Italia – 2014
Rio 2 - Fox Italia - 2014
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Rio 2 – Fox Italia – 2014
Rio 2 - Fox Italia - 2014
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Animal Logic Studio
Animal Logic Studio
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator. Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
https://www.mpcfilm.com All rights reserved Walt Disney Studios
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator. Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
https://www.mpcfilm.com All rights reserved Walt Disney Studios
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator. Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
https://www.mpcfilm.com All rights reserved Walt Disney Studios
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator. Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
https://www.mpcfilm.com All rights reserved Walt Disney Studios
Grazie al team speciale di Lightcut Film per aver realizzato questo breakdown !
Ho avuto l'onore ed il compito di realizzare interamente l'animazione 100 % keyframes del Leone in 3D in questo spot per la 76a Mostra Internazionale d'arte cinematografica di Venezia in cui sono stato il responsabile dell'animazione e supervisore della stessa avendo fatto parte del team di animazione del nuovo film Disney "Il Re Leone" di Jon Favreau in MPC (Londra). Spot realizzato per la RAI con la post-produzione di LightCutFilm di Roma. Il Re Leone va a Venezia...
Grazie al team speciale di Lightcut Film per aver realizzato questo breakdown !
Ho avuto l'onore ed il compito di realizzare interamente l'animazione 100 % keyframes del Leone in 3D in questo spot per la 76a Mostra Internazionale d'arte cinematografica di Venezia in cui sono stato il responsabile dell'animazione e supervisore della stessa avendo fatto parte del team di animazione del nuovo film Disney "Il Re Leone" di Jon Favreau in MPC (Londra). Spot realizzato per la RAI con la post-produzione di LightCutFilm di Roma. Il Re Leone va a Venezia...
Grazie al team speciale di Lightcut Film per aver realizzato questo breakdown !
Ho avuto l'onore ed il compito di realizzare interamente l'animazione 100 % keyframes del Leone in 3D in questo spot per la 76a Mostra Internazionale d'arte cinematografica di Venezia in cui sono stato il responsabile dell'animazione e supervisore della stessa avendo fatto parte del team di animazione del nuovo film Disney "Il Re Leone" di Jon Favreau in MPC (Londra). Spot realizzato per la RAI con la post-produzione di LightCutFilm di Roma. Il Re Leone va a Venezia...
Grazie al team speciale di Lightcut Film per aver realizzato questo breakdown !
Ho avuto l'onore ed il compito di realizzare interamente l'animazione 100 % keyframes del Leone in 3D in questo spot per la 76a Mostra Internazionale d'arte cinematografica di Venezia in cui sono stato il responsabile dell'animazione e supervisore della stessa avendo fatto parte del team di animazione del nuovo film Disney "Il Re Leone" di Jon Favreau in MPC (Londra). Spot realizzato per la RAI con la post-produzione di LightCutFilm di Roma. Il Re Leone va a Venezia...
Go behind the scenes of this year's O2 Christmas advert with 10-year-old ice-skater Darcy Murdoch. Behind the scenes of O2 - Unwrap the magic of Christmas in which I had the chance to work first by pre-visualisation in 3d all the choreography and mouvement of both and later to lead and animate
Go behind the scenes of this year's O2 Christmas advert with 10-year-old ice-skater Darcy Murdoch. Behind the scenes of O2 - Unwrap the magic of Christmas in which I had the chance to work first by pre-visualisation in 3d all the choreography and mouvement of both and later to lead and animate
Go behind the scenes of this year's O2 Christmas advert with 10-year-old ice-skater Darcy Murdoch. Behind the scenes of O2 - Unwrap the magic of Christmas in which I had the chance to work first by pre-visualisation in 3d all the choreography and mouvement of both and later to lead and animate
Go behind the scenes of this year's O2 Christmas advert with 10-year-old ice-skater Darcy Murdoch. Behind the scenes of O2 - Unwrap the magic of Christmas in which I had the chance to work first by pre-visualisation in 3d all the choreography and mouvement of both and later to lead and animate
I got this video edited video after long time....lovely souvenir when I was working at Climax Studios in Portsmouth in 2007 where I actually started learning Salsa dance and convinced all animators to dance Salsa during the production of Silent Hill - Origins :)
I got this video edited video after long time....lovely souvenir when I was working at Climax Studios in Portsmouth in 2007 where I actually started learning Salsa dance and convinced all animators to dance Salsa during the production of Silent Hill - Origins :)
I got this video edited video after long time....lovely souvenir when I was working at Climax Studios in Portsmouth in 2007 where I actually started learning Salsa dance and convinced all animators to dance Salsa during the production of Silent Hill - Origins :)
I got this video edited video after long time....lovely souvenir when I was working at Climax Studios in Portsmouth in 2007 where I actually started learning Salsa dance and convinced all animators to dance Salsa during the production of Silent Hill - Origins :)
Inside Animal Logic at the end of Happy Feet productions in 2006-2007 Sydney - Australia
Inside Animal Logic at the end of Happy Feet productions in 2006-2007 Sydney - Australia
Inside Animal Logic at the end of Happy Feet productions in 2006-2007 Sydney - Australia
Inside Animal Logic at the end of Happy Feet productions in 2006-2007 Sydney - Australia
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator.
Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator.
Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator.
Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!
This video is to show a bit the process used on the movie "Dumbo" in which I had the chance and the honor to work as 3D Lead Animator.
Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years. The film was primarily shot at Pinewood and Cardington studios and MPC’s initial involvement was to assist and provide guidance to the Production VFX Supervisor and Producer. The work on set varied greatly due to the large number of scenes and nature of the work that MPC was involved with—from blue screen set extensions to overseeing shots related to character animation and second unit shoots. Of particular interest was working on the motion-base shoot, for which animators created animation cycles that drove the motion base. This allowed actors to ride the motion base and subsequently integrate them with a CG flying Dumbo. Visit our website for more showreels and behind the scenes footage!