Will AI replace human creative work ?
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Will AI replace human creative work ?
Play Video
That's a mix of some best shots I wanted to put togheter from different projects I had the chance to work on
and share with you...
So please enjoy this looong version of my show....more stuff will come soon !!!
Gianluca Fratellini - 3D Character Animator - Showreel 2015 - www.cgluca.it
That's a mix of some best shots I wanted to put togheter from different projects I had the chance to work on
and share with you...
So please enjoy this looong version of my show....more stuff will come soon !!!
Gianluca Fratellini - 3D Character Animator - Showreel 2015 - www.cgluca.it
That's a mix of some best shots I wanted to put togheter from different projects I had the chance to work on
and share with you...
So please enjoy this looong version of my show....more stuff will come soon !!!
Gianluca Fratellini - 3D Character Animator - Showreel 2015 - www.cgluca.it
That's a mix of some best shots I wanted to put togheter from different projects I had the chance to work on
and share with you...
So please enjoy this looong version of my show....more stuff will come soon !!!
Gianluca Fratellini - 3D Character Animator - Showreel 2015 - www.cgluca.it
Here is a short selection of shots I had a chance to work on shows like "HAPPY FEET" in Animal Logic, "GLUMPERS" in Motion Pictures SA, "PLANET 51" in Ilion Animation Studios, "HOTEL TRANSYLVANIA" in Sony Pictures Animation, "EPIC", "RIO 2", "PEANUTS", "NO TIME FOR NUTS", "COSMIC SCRAT-TASTROPHE", "ICE AGE 5: Collision Course" in Blue Sky Studios and "SHERLOCK GNOMES" in Mikros Animation Studios.. Please enjoy and visit my website: www.cgluca.it
Here is a short selection of shots I had a chance to work on shows like "HAPPY FEET" in Animal Logic, "GLUMPERS" in Motion Pictures SA, "PLANET 51" in Ilion Animation Studios, "HOTEL TRANSYLVANIA" in Sony Pictures Animation, "EPIC", "RIO 2", "PEANUTS", "NO TIME FOR NUTS", "COSMIC SCRAT-TASTROPHE", "ICE AGE 5: Collision Course" in Blue Sky Studios and "SHERLOCK GNOMES" in Mikros Animation Studios.. Please enjoy and visit my website: www.cgluca.it
Here is a short selection of shots I had a chance to work on shows like "HAPPY FEET" in Animal Logic, "GLUMPERS" in Motion Pictures SA, "PLANET 51" in Ilion Animation Studios, "HOTEL TRANSYLVANIA" in Sony Pictures Animation, "EPIC", "RIO 2", "PEANUTS", "NO TIME FOR NUTS", "COSMIC SCRAT-TASTROPHE", "ICE AGE 5: Collision Course" in Blue Sky Studios and "SHERLOCK GNOMES" in Mikros Animation Studios.. Please enjoy and visit my website: www.cgluca.it
Here is a short selection of shots I had a chance to work on shows like "HAPPY FEET" in Animal Logic, "GLUMPERS" in Motion Pictures SA, "PLANET 51" in Ilion Animation Studios, "HOTEL TRANSYLVANIA" in Sony Pictures Animation, "EPIC", "RIO 2", "PEANUTS", "NO TIME FOR NUTS", "COSMIC SCRAT-TASTROPHE", "ICE AGE 5: Collision Course" in Blue Sky Studios and "SHERLOCK GNOMES" in Mikros Animation Studios.. Please enjoy and visit my website: www.cgluca.it
When I was between 16 and 20 years old...there was no internet yet..(bad...but probably better because less distractions, less bad competition out there...pure passion to keep in you...) but lots of books and passions around me...I still feel that feeling..like a crazy scientist trying to mix different ingredients just to experiment....I was having fun and hard work to be able to secretly learn by myself everything as there were no schools about it, and work in my little world to dream what I wanted to do in my life.... After more then 20 years....I still watch those tests with a big smile of tenderness mixed to a pinch of admiration to myself...as I still remember how hard was to do animation, to learn...in a small little village of Puglia...strongly believing that one day.....one day....I would be doing what I wanted to do and maybe I did the big mistake of my life (joking 😂😜) !!!
When I was between 16 and 20 years old...there was no internet yet..(bad...but probably better because less distractions, less bad competition out there...pure passion to keep in you...) but lots of books and passions around me...I still feel that feeling..like a crazy scientist trying to mix different ingredients just to experiment....I was having fun and hard work to be able to secretly learn by myself everything as there were no schools about it, and work in my little world to dream what I wanted to do in my life.... After more then 20 years....I still watch those tests with a big smile of tenderness mixed to a pinch of admiration to myself...as I still remember how hard was to do animation, to learn...in a small little village of Puglia...strongly believing that one day.....one day....I would be doing what I wanted to do and maybe I did the big mistake of my life (joking 😂😜) !!!
When I was between 16 and 20 years old...there was no internet yet..(bad...but probably better because less distractions, less bad competition out there...pure passion to keep in you...) but lots of books and passions around me...I still feel that feeling..like a crazy scientist trying to mix different ingredients just to experiment....I was having fun and hard work to be able to secretly learn by myself everything as there were no schools about it, and work in my little world to dream what I wanted to do in my life.... After more then 20 years....I still watch those tests with a big smile of tenderness mixed to a pinch of admiration to myself...as I still remember how hard was to do animation, to learn...in a small little village of Puglia...strongly believing that one day.....one day....I would be doing what I wanted to do and maybe I did the big mistake of my life (joking 😂😜) !!!
When I was between 16 and 20 years old...there was no internet yet..(bad...but probably better because less distractions, less bad competition out there...pure passion to keep in you...) but lots of books and passions around me...I still feel that feeling..like a crazy scientist trying to mix different ingredients just to experiment....I was having fun and hard work to be able to secretly learn by myself everything as there were no schools about it, and work in my little world to dream what I wanted to do in my life.... After more then 20 years....I still watch those tests with a big smile of tenderness mixed to a pinch of admiration to myself...as I still remember how hard was to do animation, to learn...in a small little village of Puglia...strongly believing that one day.....one day....I would be doing what I wanted to do and maybe I did the big mistake of my life (joking 😂😜) !!!
This is a little work in progress of my work on John Carter, in which I had an amazing experience to work under Pixar's artistic supervision team and under the direction of Andrew Stanton at Double Negative in London. I'm currently working at Blue Sky Studios in New York on Epic, Rio 2, Peanuts... (All I have animated is Key-frames animation)
This is a little work in progress of my work on John Carter, in which I had an amazing experience to work under Pixar's artistic supervision team and under the direction of Andrew Stanton at Double Negative in London. I'm currently working at Blue Sky Studios in New York on Epic, Rio 2, Peanuts... (All I have animated is Key-frames animation)
This is a little work in progress of my work on John Carter, in which I had an amazing experience to work under Pixar's artistic supervision team and under the direction of Andrew Stanton at Double Negative in London. I'm currently working at Blue Sky Studios in New York on Epic, Rio 2, Peanuts... (All I have animated is Key-frames animation)
This is a little work in progress of my work on John Carter, in which I had an amazing experience to work under Pixar's artistic supervision team and under the direction of Andrew Stanton at Double Negative in London. I'm currently working at Blue Sky Studios in New York on Epic, Rio 2, Peanuts... (All I have animated is Key-frames animation)
Year: 2019
Director: Daniel Marini
Genre: Animation | Spot | Commercial| Fantasy
Company: LightCutFilm
Position: Lead Animator/Animation Supervisor
Year: 2019
Director: Daniel Marini
Genre: Animation | Spot | Commercial| Fantasy
Company: LightCutFilm
Position: Lead Animator/Animation Supervisor
Year: 2019
Director: Daniel Marini
Genre: Animation | Spot | Commercial| Fantasy
Company: LightCutFilm
Position: Lead Animator/Animation Supervisor
Year: 2019
Director: Daniel Marini
Genre: Animation | Spot | Commercial| Fantasy
Company: LightCutFilm
Position: Lead Animator/Animation Supervisor